Guide to Federal Pharmacy Law, 8th Ed. (Reiss, Guide to Federal Pharmacy Law) 8th Edition
Author: Barry S. Reiss ID: 0967633273
Series: Reiss, Guide to Federal Pharmacy LawPerfect Paperback: 373 pagesPublisher: Apothecary Press; 8th edition (September 1, 2013)Language: EnglishISBN-10: 0967633273ISBN-13: 978-0967633275 Product Dimensions: 9 x 6 x 0.9 inches Shipping Weight: 1.2 pounds (View shipping rates and policies) Best Sellers Rank: #23,272 in Books (See Top 100 in Books) #31 in Books > Textbooks > Medicine & Health Sciences > Allied Health Services > Pharmacy #36 in Books > Medical Books > Pharmacology > Pharmacy #81 in Books > Textbooks > Law
Good book but not different from the previous 7th edition, the author should have at least given new practice questions instead of just jumbling the ones from last edition. Only minor corrections and Obamacare is added, but as we all know that obamacare is still a mess so they are not gonna ask any questions on it.
I bought this book to help me with the federal portion of the Colorado law exam. The book’s practice questions and practice test were way too easy and basically just multiple choice reading comprehension questions. Unfortunately the actual test had hypothetical scenarios that required interpretation of the laws, not just knowing what the law does or doesn’t say, or which law(s) apply or don’t apply. I gave it two stars because I still found it helpful at teaching the basics and summarizing the law, I just wish it went further.
Great study aid to prepare for MPJE for any state pharmacy board licensure. This edition includes Affordable Care Act. This is very useful
Guide to Federal Pharmacy Law 8th Ed Reiss Guide Guide to Federal Pharmacy Law 8th Ed Reiss Guide to Federal Pharmacy Law 9780967633275 Reiss Guide to Federal Pharmacy Law 8th EditionAmazon com Customer Reviews Guide to Federal Pharmacy 8th Ed Reiss Guide to Federal Pharmacy Law from the previous 7th edition for Guide to Federal Pharmacy Law 8th Ed Reiss Guide to Guide to Federal Pharmacy Law 8th Ed Reiss Guide Guide to Federal Pharmacy Law 8th Ed Reiss Guide to Federal Pharmacy Law by in Books Nonfiction eBay Edition Number 8 Copyright Date 2013 Target Guide to Federal Pharmacy Law 8th Ed Reiss Guide 8th Ed Reiss Guide to Federal Pharmacy Law easy to study guide to current federal pharmacy law Pharmacy Practice and the Law Seventh Edition
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The Age of Insight: The Quest to Understand the Unconscious in Art, Mind, and Brain, from Vienna 1900 to the Present Kindle Edition
Author: Eric Kandel ID: B0050DIWV6
Done.
File Size: 8642 KBPrint Length: 636 pagesPublisher: Random House; 1st edition (March 27, 2012)Publication Date: March 27, 2012 Sold by: Random House LLC Language: EnglishID: B0050DIWV6Text-to-Speech: Enabled X-Ray: Enabled Word Wise: Not EnabledLending: Not Enabled Enhanced Typesetting: Not Enabled Best Sellers Rank: #73,738 Paid in Kindle Store (See Top 100 Paid in Kindle Store) #8 in Kindle Store > Kindle eBooks > Arts & Photography > Art > Art History > Schools, Periods & Styles > Modern #8 in Kindle Store > Kindle eBooks > Health, Fitness & Dieting > Counseling & Psychology > History #25 in Books > Medical Books > Psychology > History
This is a splendid book both on the workings of the brain and how it can be exemplified in the art of Vienna 1900. This was after all the place and time that led to modernity making Vienna one of the pre-eminent capitals of the world. One is swept up in the feeling of being privy to the birth of the new understanding in medicine and art as it took place in Vienna 1900 in its most intense unfolding and this description is extended to later work, predominantly at US universities, often by people who derived from the Viennese school of thinking through emigration.
The work follows the tradition of the bridge-builders between the seemingly opposed subjects bringing new insights from brain-science in understanding art. It shows, in academic detail, the brain as a network that finds pleasure in the acquisition of knowledge in either field. It is rather comprehensive and learned at that.
The book is cerebral but very readable; in fact I read it in a Marathon session in preparing for a trip to New York to the Golden Adele, this Mona Lisa of the Fin de Siècle. You don’t need the trip though; there are wonderful reproductions in the book of interesting work to be analyzed. You need also not read all the academic detail, there is much to enjoy by taking glimpses or by looking at shorter summaries and graphs.
In the first part we learn, in an especially engrossing section, about the general atmosphere in Vienna during its golden time, its coffee-house and theater culture, its literary, musical and salon life but another forward force was the influence of Europe’s premier Medical School of the time in Vienna that established such routines as stethoscope or auscultation. It was the understanding of its research that urged the artists and scientists to look further below the surface.
*****
"In conversation with Paul Holdengräber, Eric Kandel will discuss the book already praised by Oliver Sacks as ‘a tour-de-force that sets the stage for a twenty-first century understanding of the human mind’ in all its richness and diversity."
*
My relation with the Viennese milieu started with my father telling me about the dream city, the reincarnation of late antiquity Alexandria, where I was born after WWII. He took his postgraduate studies in Vienna University before it was annexed by Hitler. Sam, my younger brother was fascinated with Klimt, few of his frescos still hanging on my house walls. But I was a fan of Mozart and Freud, and later I encountered the magical worlds of Dr. Kandell; thanks to the intellectual tours of Charlie Rose.
At the turn of the nineteenth century, Vienna, the pride of the Austrio-Hungarian Empire – was considered the cultural capital of Europe, by my dad and many, with its unique atmosphere and sophisticated charm. Vienna embraced a versatile mix of musicians, scientists and artists, who met in cafes and spent the evenings in sparkling salons, or gathering of people under the roof of an inspiring host, held to amuse one another and enjoy fine taste and broaden their knowledge through conversation.
They used liberal discussions, of novel ideas that may have led to inventive conclusions, with influential results in psychology, brain science, and innovation of literature, and art. Sigmund Freud, Gustav Klimt, among many others began exploring a charming new territory: the then mystical unconscious.
"But all things that are exposed are made manifest by the light, for whatever makes manifest is light." — Ephesians 5:13 (NKJV)
The Age of Insight is a hard book to categorize. Professor Kandel’s stated purpose is to demonstrate how a knowledgeable scientist can write clearly about science so that the interconnections between art and science can be exposed to those who know only about the art. As such, this book is more about informing those interested in the humanities than those whose interest is in science. As a necessary part of his method, there’s a circumscription around a narrow set of artists and literary figures rather than an attempt to make a universal statement. To have attempted otherwise would have made a hefty book into a multi-volume tome that few would read.
As someone who reads a lot of art history, history of science, and current research on mental processes, I was impressed by the conception of the book and how deftly it was carried out in ways that deepened my appreciation for subjects I have long been familiar with. I was grateful for these new perspectives. I found the book to be enjoyable for the most part. If I got to a part that was too elementary for what I wanted to absorb, I just skipped quickly through until I got to weightier material. I didn’t have to do that very often.
This book would be a wonderful gift to a budding artist or writer . . . or to an art historian in training. I’m sure that many wonderful shows could be mounted that would take advantage of the information here in ways that would delight museum and gallery goers.
Although the book will seem flawed to some, I think it succeeds in its purpose of proposing a new way to write about art and science.
The Age of Insight The Quest to Understand the The Age of Insight The Quest to Understand the Unconscious in Art Mind and Brain from Vienna 1900 to the Present from Vienna 1900 to the Present Kindle EditionAmazon com Customer Reviews The Age of Insight The Quest to Understand the Unconscious in Art Mind and Brain from Vienna 1900 to the Present at Amazon The Age of Insight The Quest to Understand The Age of Insight The Quest to Understand the The Age of Insight The Quest to Understand the Unconscious in Art Mind and Brain from Vienna 1900 to the The Quest to Understand the Unconscious in Art Mind The Age of Insight The Quest to Understand the The Age of Insight The Quest to Understand the Unconscious in Art Mind and Brain from Vienna 1900 to the Present Amazon de Eric Kandel
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The Good Girl Audio CD – Audiobook, CD
Author: Visit ‘s Mary Kubica Page ID: 1483018989
From Booklist
In this tale of a kidnapping gone wrong, Mia, the black-sheep daughter of prominent Chicago judge James Dennett, impulsively decides to go home with Colin, a young man she meets in a bar. The one-night stand quickly turns into a nightmare when Colin forces her into his car in the middle of the night, and Mia learns hes been sent to abduct her for ransom. But just before the drop-off point, Colin, for reasons unknown, decides not to hand her over to the man who has hired him and instead takes her to a remote cabin in Minnesota. Back at home, Mias mother, Eve, cannot understand why James doesnt seem to take the news of his daughters disappearance as seriously as she does. Gabe, the detective assigned to the case, wonders the same thing. The narrative unfolds in four different perspectivesfrom Mia, Eve, Gabe, and Colin, in alternating chapterswhich are also structured as “before” and “after.” The organization can prove puzzling, but Kubicas debut thriller builds suspense steadily and will have readers guessing whats really going on until the final pages. –Rebecca Vnuk
–This text refers to the Hardcover edition.
Review
"Kubica’s powerful debut…will encourage comparisons to Gone Girl. Unlike that dazzling duel between what prove to be a pair of sociopaths, this Girl has heart-which makes it all the more devastating when the author breaks it."
-Publishers Weekly, starred review
"Similar in tone to William Landay’s acclaimed Defending Jacob, this excellent debut is compulsively readable and highly recommended for anyone who loves a mystery, a suspense tale, or a psychological puzzle."
-Library Journal
"Kubica’s debut thrill builds suspense steadily and will have readers guessing what’s really going on until the final pages."
-Booklist
"A twisty, roller coaster ride of a debut. Fans of Gone Girl will embrace this equally evocative tale of a missing woman, shattered family and the lies we tell not just to each other, but especially to ourselves."
-Lisa Gardner, #1 New York Times bestselling author of Fear Nothing
"Psychologically rich and pulse pounding, The Good Girl had me hooked from the very first sentence and didn’t let go until the final word." –Heather Gudenkauf, bestselling author of The Weight of Silence and Little Mercies
See all Editorial Reviews
Audio CD: 1 pagesPublisher: Blackstone Audio; Unabridged edition (July 29, 2014)Language: EnglishISBN-10: 1483018989ISBN-13: 978-1483018980 Product Dimensions: 1.2 x 5.8 x 6.2 inches Shipping Weight: 8.8 ounces (View shipping rates and policies) Best Sellers Rank: #747,839 in Books (See Top 100 in Books) #1251 in Books > Books on CD > Mystery & Thrillers #2627 in Books > Books on CD > Literature & Fiction > General #5647 in Books > Mystery, Thriller & Suspense > Thrillers & Suspense > Psychological Thrillers
Twenty-four year old Mia Dennett is the daughter of Chicago Judge James Dennett, a man of old money and dismissive family responsibilities, and British Eve Dennett, a homemaker and socialite. Sister to Grace, the oldest and a lawyer just like their father, Mia doesn’t buy into the family lifestyle; instead, she is an art teacher. Jason, her inconsistent boyfriend, is supposed to meet her on the night she is kidnapped but calls to say he has to work late.
From the beginning of the novel, the reader is aware that Mia has been taken by a man named Colin Thatcher and that he kept her in cabin in Minnesota. In fact, Mia has already been found only a few chapters in. What follows is a mixture of multiple perspectives, both before and after Mia is found, telling the story of how Mia, who refers to herself as Chloe, copes with her kidnapping, how Detective Gabe stops at nothing to find her, and how her mother Eve tries to solve Mia’s trauma-induced amnesia and help her remember the truth.
While many will suggest that Kubica’s novel follows in the same vein as Gone Girl, I actually found this to be much more entertaining. I could not put this book down whereas I struggled through Flynn’s multiple narrators. What works for Kubica is her uncanny ability to seamlessly weave both time and storytelling. The chapters are short, and each character’s narration adds something new and unique to the plot.
Colin’s “Before” chapters are the most interesting because it is through his eyes that you see what actually happened to Mia, which she doesn’t remember. I found myself anxiously skimming through some other chapters just to get to the Colin pages.
Notice to readers: Spoiler alerts in this review
Why is every book touted these days as the next "Gone Girl" or "if you loved "Gone Girl"…you’ll love this book?" They’ve done that with "The Good Girl" where the only resemblance I can see is that they both have the world "Girl" in the title. I wish and critics would stop doing this. Don’t try to hook readers like that especially when there is no comparison
After I finished reading this book, I went straight to the one star reviews to see why they hated it [after buying it because of the five star reviews] and I have to agree with a lot of their points while also admitting I liked the book more than they did. And I think I know why. It so reminded me of Patty Duke and Al Freeman, Jr. in the film "My Sweet Charlie" where a black lawyer holds a racist pregnant white girl captive and they fall in love. There was something so incredibly romantic about that movie and it happened in this book as well. A lot of reviewers are decrying the whole "Stockholm Syndrome" dynamic that occurs in this book while I thought the author did a very good job of developing the relationship between Mia and Colin. And there was something poignantly sweet as their relationship changes and they discover themselves in each other.
And while I am normally very good at plot twists [saw "Gone Girl’s" a mile away as well as "The Girl on The Train"], I missed this so kudos to all the readers who guessed the ending. I didn’t. As a matter of fact, I didn’t guess anything that was going to happen in this book. Possibly because while the other books I mentioned were overtly mysteries, "The Good Girl" was not.
I was drawn to read The Good Girl because of the "if you liked Gone Girl you’ll like this" endorsements and comments in reviews (and I read Gone Girl because my daughter highly recommended it). And though I don’t think there’s a particularly strong basis for comparison between the novels (e.g., The Good Girl is genre fiction whereas I’d say that Gone Girl crosses the line between genre and literary fiction), I enjoyed reading The Good Girl and I found it to be as much of a page turner as Gone Girl and in some ways a more satisfying read (I’m one of the many Gone Girl readers who found its ending disappointing).
I found The Good Girl entertaining and I enjoyed reading it and I think it’s an impressive first novel. The story is told from multiple first-person perspectives in a non-linear time frame, and it all hangs together quite well. It’s suspenseful, with twists, turns and surprises.
The copy I received for review purposes is the final published edition, and I was surprised to see several typos and grammatical errors (e.g., a reference to "fur trees"; a truck is referred to at one point first as a car, then a truck, then again as a car; a convenience store is called a "convenient store"; I spotted a few sentences where there were missing words; etc.). There were a few times when the story lost verisimilitude for me (the appearance of being real or true), and this has to do with details that I won’t specify to avoid venturing into spoiler territory. And there were a few times when I felt that a certain character’s first-person voice sounded more literate, articulate and educated than the character’s history might suggest could be the case. These are matters that I think should’ve been addressed by the author’s editor at Harlequin.
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s been sent to abduct her for ransom. But just before the drop-off point, Colin, for reasons unknown, decides not to hand her over to the man who has hired him and instead takes her to a remote cabin in Minnesota. Back at home, Mia
from Mia, Eve, Gabe, and Colin, in alternating chapters